affective fallacy造句

"affective fallacy"是什麽意思   


  1. On the theoretical plane, the critical approach denoted as affective fallacy was fundamentally unsound because it denied the iconicity of the literary text.
  2. Among W . K . Wimsatt, " The Intentional Fallacy " and " The Affective Fallacy, " both key texts of New Criticism.
  3. In this light, the affective fallacy ran afoul of the New Critics'desire to place literary criticism on a more objective and principled basis.
  4. Among the central threads running through de Man's work is his attempt to tease out the tension between rhetoric ( which de Man's uses as a term to mean figural language and intentionalist and affective fallacies.
  5. First defined in an article published in " The Sewanee Review " in 1949, the concept of an affective fallacy was most clearly articulated in " The Verbal Icon ", Wimsatt's collection of essays published in 1954.
  6. It's difficult to find affective fallacy in a sentence. 用affective fallacy造句挺難的
  7. In another essay, " The Affective Fallacy, " which served as a kind of sister essay to " The Intentional Fallacy " Wimsatt and Beardsley also discounted the reader's personal / emotional reaction to a literary work as a valid means of analyzing a text.
  8. The Affective fallacy ( identified in the essay of the same name, which Wimsatt co-authored with Monroe Beardsley, as above ) refers to  confusion between the poem and its " results "  ( " Verbal Icon 21 "; italics in original ).
  9. The study of English, however, remained less defined and it became a goal of the New Critical movement to justify literature in an age of science by separating the work from its author and critic ( see Wimsatt and Beardsley s Intentional fallacy and Affective fallacy ) and by examining it as a self-sufficient artifact.
  10. This opinion is similar to that expressed by W . K . Wimsatt and Monroe C . Beardsley in their famous essay " The Affective Fallacy, " in which they argue that a critic is " a teacher or explicator of meanings, " not a reporter of " physiological experience " in the reader ( qtd . in Adams, 1029, 1027 ).
  11. "The Affective Fallacy is a confusion between the poem and its results ( what it is and what it does ), a special case of epistemological skepticism [ . . . which . . . ] begins by trying to derive the standard of criticism from the psychological effects of the poem and ends in impressionism and relativism [ with the result that ] the poem itself, as an object of specifically critical judgment, tends to disappear ."
  12. Wimsatt and Beardsley consider this strategy a fallacy partly because it is impossible to determine the intention of the author  indeed, authors themselves are often unable to determine the  intention of a poem  and partly because a poem, as an act that takes place between a poet and an audience, has an existence outside of both and thus its meaning can not be evaluated simply based on the intentions of or the effect on either the writer or the audience ( see the section of this article entitled  The Affective Fallacy " for a discussion of the latter; 5 ).


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